PRIVATE INVESTIGATORS, FOR SHORT
|
32
|
PROBLEMS WITH PHONOGRAPH RECORDS
|
32
|
PRODUCT IN SKIN CARE OR PRINTING
|
32
|
PRODUCT ONCE PITCHED BY GARFIELD
|
32
|
PROFESSION OF WRITING FOR NEWSPAPERS
|
36
|
PROFESSOR IN THE HARRY POTTER BOOKS
|
35
|
PROFESSOR OF POTIONS AT HOGWARTS
|
32
|
PROGRAM FOR NAVIGATING THE INTERNET
|
35
|
PROGRAM THAT PERFORMS REPETITIVE TASKS
|
38
|
PROGRAMMING LANGUAGE WITH A COFFEE-CUP LOGO
|
43
|
PROGRAMS OPENED WITH A FINGERTIP
|
32
|
PROGRESSIVE INSURANCE SPOKESWOMAN
|
33
|
PROGRESSIVE INSURANCE SPOKESPERSON
|
34
|
PROJECTING ARCHITECTURAL FEATURES
|
33
|
PROJECTING PART OF A FORTIFICATION
|
34
|
PROLONGED STATE OF UNCONSCIOUSNESS
|
34
|
PROMINENT PERSON IN A PARTICULAR FIELD
|
38
|
PROMISING YOUNG WOMAN DIRECTOR FENNELL
|
38
|
PROMOTE DEVELOPMENT OF NEW FOREST
|
33
|
PRONOUN IN 'AMERICA THE BEAUTIFUL'
|
34
|
PROPER OR COMMON PARTS OF SPEECH
|
32
|
PROPERTY OF A SUBATOMIC PARTICLE
|
32
|
PROPHET ON THE SISTINE CHAPEL CEILING
|
37
|
PROPHET WHOSE NAME MEANS 'DELIVERANCE'
|
38
|
PROPOSED PORTRAIT FOR THE $20 BILL
|
34
|
PROPOSITION ASSUMED TO BE SELF-EVIDENT
|
38
|
PROPRIETY IN MANNERS AND CONDUCT
|
32
|
PROSPERO'S SERVANT IN 'THE TEMPEST'
|
35
|
PROTAGONIST OF 'THE KITE RUNNER'
|
32
|
PROTECTED AGAINST LOSS OR DAMAGE
|
32
|
PROTECTION AGAINST KITCHEN SPLATTERS
|
36
|
PROTOZOAN OF EVER-CHANGING SHAPE
|
32
|
PROVIDE WITH FUNDS, AS A COLLEGE
|
32
|
PROVIDERS OF BOOKS TO REMOTE LOCATIONS
|
38
|
PROVIDES WITH, AS AN OPPORTUNITY
|
32
|
PROVINCIAL GOVERNOR IN ANCIENT PERSIA
|
37
|
PSEUDONYMOUS CHILDREN'S AUTHOR HUNTER
|
37
|
PUBLIC PERFORMANCE (WITH 'SHOW')
|
32
|
PULITZER PRIZE WINNER FOR 'PICNIC'
|
34
|
PULITZER PRIZE-WINNING POET CONRAD
|
34
|
PULITZER-WINNING FILM CRITIC ROGER
|
34
|
PULITZER PRIZE-WINNING AUTHOR JAMES
|
35
|
PULITZER WINNER ___-MANUEL MIRANDA
|
34
|
PULITZER-WINNING NOVELIST JENNIFER
|
34
|
PULITZER-WINNING AUTHOR JENNIFER
|
32
|
PULITZER PRIZE-WINNING POET DOVE
|
32
|
PULITZER-WINNING BIOGRAPHER LEON
|
32
|
PULITZER-WINNING CRITIC JEFFERSON
|
33
|
PULL BACK OR MOVE AWAY OR BACKWARD
|
34
|
PULL TOGETHER FROM VARIOUS SOURCES
|
34
|
PUMBAA'S FRIEND IN 'THE LION KING'
|
34
|
PUNIC WAR BATTLE SITE, FIRST (264-241 BC)
|
41
|
PUNISH WITH AN ARBITRARY PENALTY
|
32
|
PUNTA DEL ___ (RESORT IN URUGUAY)
|
33
|
PURCHASES AT OLLIVANDERS, IN FANTASY
|
36
|
PURPLE-BLUE MUPPET WITH A HOOKED NOSE
|
37
|
PUT A NEW FRONT ON, AS A BUILDING
|
33
|
PUT BACK ON THE MARKET, AS REAL ESTATE
|
38
|
PUT FORWARD AN IDEA FOR CONSIDERATION
|
37
|
PUT IN AN OVERHEAD COMPARTMENT, SAY
|
35
|
PUT INTO EFFECT, AS A RESOLUTION
|
32
|
PUT OFF UNTIL LATER, AS A MOTION
|
32
|
PUT ON A SCALE FROM ONE TO 10, SAY
|
34
|
PUT ON A SCALE FROM 1 TO 10, SAY
|
32
|
PUT ON THE MARKET AGAIN, AS PROPERTY
|
36
|
PUT ONE FOOT IN FRONT OF THE OTHER
|
34
|
PUT ONE'S NOSE WHERE IT DOESN'T BELONG
|
38
|
PUT UP WITH SOMETHING UNPLEASANT
|
32
|
PUT YOUR HEAD ON MY SHOULDER SINGER
|
35
|
PUT YOUR MONEY WHERE YOUR MOUTH IS
|
34
|
PUTS IN AN OVERHEAD COMPARTMENT, SAY
|
36
|
PUTS IN THE OVERHEAD COMPARTMENT
|
32
|
PUTTING TWO AND TWO TOGETHER, SAY
|
33
|
PYGMALION PLAYWRIGHT GEORGE BERNARD
|
35
|
PYRAMIDS TYPICALLY HAVE EIGHT OF THEM
|
37
|
QUADRILLE FOR EIGHT OR SIXTEEN COUPLES
|
38
|
QUAIL : BEVY :: ___ : PARLIAMENT
|
32
|
QUALIFYING ROUND IN A COMPETITION
|
33
|
QUARTERBACK NICKNAMED THE GOLDEN ARM
|
36
|
QUARTERLY MAGAZINE PUBLISHED BY BOEING
|
38
|
QUARTERS THAT COULD BE WORTH A LOT
|
34
|
QUARTET IN MANY A STRING ORCHESTRA
|
34
|
QUEEN IN 'A MIDSUMMER NIGHT'S DREAM'
|
36
|
QUEEN OF THE GODS, IN ROMAN MYTH
|
32
|
QUEER EYE FASHION EXPERT ___ FRANCE
|
35
|
QUESTION THE TRUTH OR VALIDITY OF
|
33
|
QUICK AND PENETRATING INTELLIGENCE
|
34
|
QUICK MEETINGS, IN CORPORATE LINGO
|
34
|
QUINN OF 'DESPERATELY SEEKING SUSAN'
|
36
|
RACING GAME WITH SPEED-BOOSTING MUSHROOMS
|
41
|
RADIO, TELEVISION, NEWSPAPERS, ETC.
|
35
|
RAIDERS OF THE LOST ARK SERPENTS
|
32
|
RAIDERS OF THE LOST ARK TREASURE
|
32
|
RAISE OBJECTIONS OR SHOW RELUCTANCE
|
35
|
RAISE TO A HIGHER POSITION OR RANK
|
34
|
RAISED ROAD CROSSING SHALLOW WATER
|
34
|
RAMBLES AROUND WITHOUT CONSTRAINTS
|
34
|
RAM'S HORN USED AS AN INSTRUMENT
|
32
|
RANGE WITH ONE END IN KAZAKHSTAN
|
32
|
RANGE WHERE PROMETHEUS WAS BOUND
|
32
|