|
STUFF IN SOME VITAMIN PACKETS
|
29
|
|
STUFF IN STYPTIC PENCILS
|
24
|
|
STUFF IN THE BACK OF THE BOOK
|
29
|
|
STUFF OF INFERIOR QUALITY
|
25
|
|
STUFF OF LITTLE SUBSTANCE
|
25
|
|
STUFF THROWN OVERBOARD
|
22
|
|
STUFF WITH SOFT MATERIAL
|
24
|
|
STUFF, AS INTO A SUITCASE
|
25
|
|
STUFFED CHINESE DUMPLING
|
24
|
|
STUFFED ITALIAN POCKETS
|
23
|
|
STUFFED SPANISH PASTRIES
|
24
|
|
STUFFED ___ (JEWISH DISH)
|
25
|
|
STUMBLED WHILE WALKING
|
22
|
|
STUN WITH A POLICE GUN
|
22
|
|
STUN WITH A ZAPPING GUN
|
23
|
|
STUN, AS WITH A POLICE GUN
|
26
|
|
STUNNED ... JUST STUNNED
|
24
|
|
STUNNED CROWD REACTIONS
|
23
|
|
STUNNING AQUARIUM FISH
|
22
|
|
STUNNING BOXING VICTORY
|
23
|
|
STUNT FLYING MANEUVERS
|
22
|
|
STUNT PILOT'S MANEUVER
|
22
|
|
STUNT PILOT'S MANEUVERS
|
23
|
|
STUPEFYIN' JONES CREATOR
|
24
|
|
STUPID OR ANNOYING PERSON
|
25
|
|
STURDY BUILDING MATERIAL
|
24
|
|
STURDY DEPENDABLE TYPE
|
22
|
|
STURDY PIECE OF LUMBER?
|
23
|
|
STURDY TROUSERS FABRIC
|
22
|
|
STURDY, TWILLED COTTON FABRIC
|
29
|
|
STYLE FOR THE BEE GEES
|
22
|
|
STYLE INFLUENCED BY CUBISM
|
26
|
|
STYLE OF CHINESE CUISINE
|
24
|
|
STYLE OF HIP-HOP MUSIC
|
22
|
|
STYLE OF INDIAN COOKING
|
23
|
|
STYLE OF JAPANESE WRITING
|
25
|
|
STYLE OF MUSIC OR MOVIES
|
24
|
|
STYLE OF POPULAR DANCE MUSIC
|
28
|
|
STYLE OF PREPARING FOOD
|
23
|
|
STYLE OF PRINTING TYPE
|
22
|
|
STYLE OF PRONUNCIATION
|
22
|
|
STYLE OF SLOPING SCRIPT
|
23
|
|
STYLE OF THE '20S AND '30S
|
26
|
|
STYLE OF TRADITIONAL MUSIC
|
26
|
|
STYLES OF ONE DIRECTION
|
23
|
|
STYLISH AND SOPHISTICATED
|
25
|
|
STYLISH BALLROOM DANCE
|
22
|
|
STYLISH RESTAURANT WORD
|
23
|
|
STYLISH, IN '60S LONDON
|
23
|
|
STYLISH, SIXTIES STYLE
|
22
|
|
STYLISH, SOPHISTICATED
|
22
|
|
STYLISH, TO AUSTIN POWERS
|
25
|
|
STYLISHLY OLD-FASHIONED
|
23
|
|
STYLISTICALLY PRETENTIOUS
|
25
|
|
STYLIZED JAPANESE DRAMA
|
23
|
|
STYPTIC PENCIL INGREDIENT
|
25
|
|
STYPTIC PENCILS' TARGETS
|
24
|
|
STYRON PROTAGONIST TURNER
|
25
|
|
SUB-FREEZING TEMPERATURES
|
25
|
|
SUBARCTIC EVERGREEN FOREST
|
26
|
|
SUBARCTIC EVERGREEN FORESTS
|
27
|
|
SUBCONTINENTAL COUNTRY
|
22
|
|
SUBCONTINENTAL POTENTATE
|
24
|
|
SUBCONTINENTAL PRINCESSES
|
25
|
|
SUBDIVISION IN GROUP THEORY
|
27
|
|
SUBDIVISION OF A RELIGION
|
25
|
|
SUBDIVISION OF A SUBDIVISION
|
28
|
|
SUBDIVISION OF COUNTRY
|
22
|
|
SUBDIVISION SUBDIVISION
|
23
|
|
SUBDIVISION SUBDIVISIONS
|
24
|
|
SUBDIVISION, FOR SHORT
|
22
|
|
SUBDIVISIONS OF SUBDIVISIONS
|
28
|
|
SUBDUE WITH A STUN GUN
|
22
|
|
SUBDUED CONTINUOUS SOUND
|
24
|
|
SUBJ. OF A MAKEUP EXAM?
|
23
|
|
SUBJECT FOR A GOLF LESSON
|
25
|
|
SUBJECT FOR ARCHIMEDES
|
22
|
|
SUBJECT FOR DISCUSSION
|
22
|
|
SUBJECT FOR GREGOR MENDEL
|
25
|
|
SUBJECT FOR JANE GOODALL
|
24
|
|
SUBJECT FOR THREE MONKEYS
|
25
|
|
SUBJECT OF 'A BEAUTIFUL MIND'
|
29
|
|
SUBJECT OF 'THE AVIATOR'
|
24
|
|
SUBJECT OF A CANTOR SONG
|
24
|
|
SUBJECT OF A COMPOSITION
|
24
|
|
SUBJECT OF A COURT ORDER
|
24
|
|
SUBJECT OF A DONOR CARD
|
23
|
|
SUBJECT OF A GOLF LESSON
|
24
|
|
SUBJECT OF A MANAGEMENT CLASS
|
29
|
|
SUBJECT OF A MODERN MAP
|
23
|
|
SUBJECT OF A RICHMOND MUSEUM
|
28
|
|
SUBJECT OF A SLEEP LAB STUDY
|
28
|
|
SUBJECT OF A WONDERLAND TRIAL
|
29
|
|
SUBJECT OF COMPOSITION
|
22
|
|
SUBJECT OF CONVERSATION
|
23
|
|
SUBJECT OF DRESS CODES
|
22
|
|
SUBJECT OF FINGER-POINTING
|
26
|
|
SUBJECT OF GENGHIS KHAN
|
23
|
|
SUBJECT OF HERO WORSHIP
|
23
|
|
SUBJECT OF INTROSPECTION
|
24
|