|
OPENING ON SOME PAJAMAS
|
23
|
|
OPENING REMARKS, BRIEFLY
|
24
|
|
OPENING SEGMENT, FOR SHORT
|
26
|
|
OPENING STATEMENT, FOR SHORT
|
28
|
|
OPENING TRATTORIA COURSE
|
24
|
|
OPENING, AS IN A FENCE
|
22
|
|
OPENINGS IN PIGGY BANKS
|
23
|
|
OPENS WITH A BOX CUTTER
|
23
|
|
OPENS WITH A COMBINATION
|
24
|
|
OPENS, AS A CHANGE PURSE
|
24
|
|
OPENS, AS A WINE BOTTLE
|
23
|
|
OPENS, AS THE BARN DOOR
|
23
|
|
OPERA BY GIUSEPPE VERDI
|
23
|
|
OPERA CONDUCTOR DANIEL ___
|
26
|
|
OPERA EXTRAS, FOR SHORT
|
23
|
|
OPERA GLASSES ON A HANDLE
|
25
|
|
OPERA HEROES, TYPICALLY
|
23
|
|
OPERA PIECE FOR ONE VOICE
|
25
|
|
OPERA SET IN ANCIENT EGYPT
|
26
|
|
OPERA SINGER SIMON ___
|
22
|
|
OPERA THAT DEBUTED IN 1900
|
26
|
|
OPERA THAT DEBUTED IN CAIRO
|
27
|
|
OPERA VILLAIN'S VOICE, OFTEN
|
28
|
|
OPERA VILLAIN, TYPICALLY
|
24
|
|
OPERA VILLAIN, USUALLY
|
22
|
|
OPERA VILLAINESS, OFTEN
|
23
|
|
OPERA VILLAINESS, SOMETIMES
|
27
|
|
OPERA VILLAINESS, TYPICALLY
|
27
|
|
OPERA VILLAINESS, USUALLY
|
25
|
|
OPERA WITH 'AVE MARIA'
|
22
|
|
OPERA WITH A SLAVE GIRL
|
23
|
|
OPERATE ON WITH A BEAM
|
22
|
|
OPERATED BY AIR PRESSURE
|
24
|
|
OPERATED, AS A MACHINE
|
22
|
|
OPERATED, AS EQUIPMENT
|
22
|
|
OPERATES, AS A COMPUTER
|
23
|
|
OPERATES, AS MACHINERY
|
22
|
|
OPERATIC TENOR VICKERS
|
22
|
|
OPERATIC VILLAINS, OFTEN
|
24
|
|
OPERATING SYSTEM CHOICE
|
23
|
|
OPERATING SYSTEM OPTION
|
23
|
|
OPERATION RED DAWN DEFENDER
|
27
|
|
OPERATION TO CAPTURE A FORT
|
27
|
|
OPERATOR OF ACELA TRAINS
|
24
|
|
OPHTHALMOLOGIC PROBLEM
|
22
|
|
OPHTHALMOLOGICAL ACRONYM
|
24
|
|
OPHTHALMOLOGICAL AILMENT
|
24
|
|
OPHTHALMOLOGICAL AILMENTS
|
25
|
|
OPHTHALMOLOGICAL CONCERN
|
24
|
|
OPHTHALMOLOGICAL STUDY
|
22
|
|
OPHTHALMOLOGIST'S CONCERN
|
25
|
|
OPHTHALMOLOGISTS' FOCUS
|
23
|
|
OPHTHALMOLOGY CONCERNS
|
22
|
|
OPINION COLUMN, FOR SHORT
|
25
|
|
OPINION PIECE, FOR SHORT
|
24
|
|
OPINIONATED ASSORTMENT
|
22
|
|
OPP. OF LEGATO, IN MUSIC
|
24
|
|
OPPONENT OF U. S. GRANT
|
23
|
|
OPPORTUNITIES FOR DISCUSSION
|
28
|
|
OPPORTUNITIES, METAPHORICALLY
|
29
|
|
OPPORTUNITIES, SO TO SPEAK
|
26
|
|
OPPORTUNITY, FIGURATIVELY
|
25
|
|
OPPORTUNITY, METAPHORICALLY
|
27
|
|
OPPORTUNITY, SO TO SPEAK
|
24
|
|
OPPOSED TO ARMED CONFLICT
|
25
|
|
OPPOSED TO, IN DIALECT
|
22
|
|
OPPOSED TO, IN DOGPATCH
|
23
|
|
OPPOSED TO, NONSTANDARDLY
|
25
|
|
OPPOSED, DOGPATCH STYLE
|
23
|
|
OPPOSING MILITARY FORCE
|
23
|
|
OPPOSING ONE'S INTERESTS
|
24
|
|
OPPOSITE DIRECTION FROM 'TO'
|
28
|
|
OPPOSITE END OF THE POINT
|
25
|
|
OPPOSITE OF 'CONTRARY'
|
22
|
|
OPPOSITE OF 'DISCOURAGE'
|
24
|
|
OPPOSITE OF 'EXTINGUISH'
|
24
|
|
OPPOSITE OF 'EXTINGUISHED'
|
26
|
|
OPPOSITE OF 'IN THE DARK'
|
25
|
|
OPPOSITE OF 'IN THE FUTURE'
|
27
|
|
OPPOSITE OF 'SUPERFICIAL'
|
25
|
|
OPPOSITE OF 'TAKES OFF'
|
23
|
|
OPPOSITE OF 17-ACROSS?
|
22
|
|
OPPOSITE OF A BLESSING
|
22
|
|
OPPOSITE OF A LIABILITY
|
23
|
|
OPPOSITE OF A LIFE COACH?
|
25
|
|
OPPOSITE OF AFFIRMATIVE
|
23
|
|
OPPOSITE OF BLACK-AND-WHITE
|
27
|
|
OPPOSITE OF CONTRACTED
|
22
|
|
OPPOSITE OF DIFFICULTY
|
22
|
|
OPPOSITE OF DOWN: ABBR.
|
23
|
|
OPPOSITE OF EXCITEMENT
|
22
|
|
OPPOSITE OF FINE PRINT?
|
23
|
|
OPPOSITE OF LIABILITIES
|
23
|
|
OPPOSITE OF SEPARATENESS
|
24
|
|
OPPOSITE OF STRENGTHEN
|
22
|
|
OPPOSITE OF SUBSEQUENT
|
22
|
|
OPPOSITE OF SUR, IN SPAIN
|
25
|
|
OPPOSITE OF TRANSPARENT
|
23
|
|
OPPOSITE OF UNE ADVERSAIRE
|
26
|
|
OPPOSITE SIDES OF A FIGHT
|
25
|