|
COMEDIENNE MEARA
|
16
|
|
COMEDONES
|
9
|
|
COMEDIES' COUNTERPARTS
|
22
|
|
COMEDY ALTERNATIVE
|
18
|
|
COMEDY ACT
|
10
|
|
COMEDY CENTRAL EVENT
|
20
|
|
COMEDY BITS
|
11
|
|
COMEDY
|
6
|
|
COMEDOWN
|
8
|
|
COMEDY GENRE
|
12
|
|
COMEDY BIT
|
10
|
|
COMEDY CLUB SOUND
|
17
|
|
COMEDY MUSE
|
11
|
|
COMEDY CLUB OFFERING
|
20
|
|
COMEDY COUNTERPART
|
18
|
|
COMEDY CLUB HIT
|
15
|
|
COMEDY CLUB HOST
|
16
|
|
COMEDY MATERIAL
|
15
|
|
COMEDY SHOW SEGMENT
|
19
|
|
COMEDY HIT
|
10
|
|
COMEDY CLUB SOUNDS
|
18
|
|
COMEDY OF ERRORS
|
16
|
|
COMEDY SKETCH
|
13
|
|
COMEDY STYLE, FOR SHORT
|
23
|
|
COMEDY OPERA BY GILBERT AND SULLIVAN
|
36
|
|
COMEDY SKETCHES
|
15
|
|
COMEDY SHOW SOUNDS
|
18
|
|
COMEDY STYLE
|
12
|
|
COMEDY OR TRAGEDY
|
17
|
|
COMEDY ROUTINE
|
14
|
|
COMEDY ROUTINE INFIELDER ...
|
28
|
|
COMEDY OR DRAMEDY
|
17
|
|
COMEDY SHOW SEGMENTS
|
20
|
|
COMEDY ROUTINES
|
15
|
|
COMEDY, E.G.
|
12
|
|
COMEDY SUBGENRE
|
15
|
|
COMEDY TYPE
|
11
|
|
COMEDY WRITING?
|
15
|
|
COMEDY WRITER
|
13
|
|
COMELINESS
|
10
|
|
COME-OFF
|
8
|
|
COME-ON
|
7
|
|
COMER
|
5
|
|
COME-ONS
|
8
|
|
COMERICA PARK PLAYER
|
20
|
|
COME-FROM-BEHIND ATTEMPT
|
24
|
|
COMES (TO)
|
10
|
|
COMEDY'S COUNTERPART
|
20
|
|
COMES (FROM)
|
12
|
|
COMES A CROPPER
|
15
|
|
COMELY
|
6
|
|
COMES ABOUT
|
11
|
|
COME-FROM-BEHIND EFFORT
|
23
|
|
COME-PLAY CONNECTOR
|
19
|
|
COMES ACROSS
|
12
|
|
COMES ASHORE
|
12
|
|
COMES ACROSS AS
|
15
|
|
COMES AS A RESULT
|
17
|
|
COMES APART
|
11
|
|
COMES BACK WITH
|
15
|
|
COMES AFTERWARD
|
15
|
|
COMES BACK
|
10
|
|
COMES CLEAN
|
11
|
|
COMES BY
|
8
|
|
COMES CLOSE
|
11
|
|
COMES CLEAN ABOUT
|
17
|
|
COMES CLOSE TO
|
14
|
|
COMES CLOSER
|
12
|
|
COMES BY HONESTLY
|
17
|
|
COMES CLOSER TO
|
15
|
|
COMES DOWN
|
10
|
|
COMES DOWN HARD
|
15
|
|
COMES DOWN ON
|
13
|
|
COMES DOWN TO EARTH
|
19
|
|
COMES DOWN IN BUCKETS
|
21
|
|
COMES FORWARD
|
13
|
|
COMES FIRST
|
11
|
|
COMES FORTH
|
11
|
|
COMES DOWN WITH
|
15
|
|
COMES FROM BEHIND
|
17
|
|
COMES IN AGAIN
|
14
|
|
COMES IN FOR
|
12
|
|
COMES INTO
|
10
|
|
COMES IN LAST
|
13
|
|
COMES INTO BEING
|
16
|
|
COMES IN
|
8
|
|
COMES IN FIRST
|
14
|
|
COMES INTO CONTACT WITH
|
23
|
|
COMES INTO POSSESSION OF
|
24
|
|
COMES INTO PLAY
|
15
|
|
COMES OFF THE BENCH
|
19
|
|
COMES INTO EXISTENCE
|
20
|
|
COMES INTO VIEW AGAIN
|
21
|
|
COMES OFF AS
|
12
|
|
COMES INTO ONE'S OWN
|
20
|
|
COMES INTO SIGHT
|
16
|
|
COMES ONSTAGE
|
13
|
|
COMES LATER
|
11
|
|
COMES OUT OF, AS A SCENT FROM BLOSSOMS
|
38
|
|
COMES INTO VIEW
|
15
|