|
ABOUT 30% OF EARTH'S LAND
|
25
|
|
ABOUT 30% OF THE EARTH'S LAND
|
29
|
|
ABOUT 3.26 LIGHT-YEARS
|
22
|
|
ABOUT A QUARTER OF A CALORIE
|
28
|
|
ABOUT HALF OF BINARY CODE
|
25
|
|
ABOUT HALF OF ALL BINARY CODE
|
29
|
|
ABOUT HALF OF ALL HUMANS
|
24
|
|
ABOUT HALF OF BINARY CODING
|
27
|
|
ABOUT THE LINE OF ROTATION
|
26
|
|
ABOUT THE LINE OF ROTATIO
|
25
|
|
ABOUT TO BLOW ONE'S STACK
|
25
|
|
ABOUT TWO DOZEN SHEETS
|
22
|
|
ABOUT WHAT YOU'D EXPECT
|
23
|
|
ABOVE AVERAGE IN HEIGHT
|
23
|
|
ABOVE THE NORMAL VOICE RANGE
|
28
|
|
ABOVE THE GROUND FLOOR
|
22
|
|
ABOVE-NORMAL BODY TEMPERATURE
|
29
|
|
ABOVE-WATER SIGN OF A SHARK
|
27
|
|
ABRACADABRA ALTERNATIVE
|
23
|
|
ABOVE-THE-STREET TRAINS
|
23
|
|
ABRAHAM LINCOLN, FOR ONE
|
24
|
|
ABRAHAM LINCOLN FEATURE
|
23
|
|
ABRASIVE WOOD SMOOTHER
|
22
|
|
ABRUPT CHANGE OF COURSE
|
23
|
|
ABRUPT EXCITED UTTERANCE
|
24
|
|
ABRUPTLY CHANGE COURSE
|
22
|
|
ABRUPTLY STOP DISCUSSING
|
24
|
|
ABRUPTLY DUMP, AS A LOVER
|
25
|
|
ABS-BUILDING EXERCISES
|
22
|
|
ABSENCE OF COMPLICATION
|
23
|
|
ABSENCE OF SOCIETAL VALUES
|
26
|
|
ABSENT WITHOUT PERMISSION
|
25
|
|
ABSENT-MINDED SCRIBBLER
|
23
|
|
ABSINTHE DRINKER ARTIST
|
23
|
|
ABSENT-MINDED, TO A BRIT
|
24
|
|
ABSOLUT BERRI INGREDIENT
|
24
|
|
ABSOLUT RIVAL, INFORMALLY
|
25
|
|
ABSOLUT RIVAL, FAMILIARLY
|
25
|
|
ABSOLUT RIVAL, FOR SHORT
|
24
|
|
ABSOLUTE WORST, WITH 'THE'
|
26
|
|
ABSOLUTELY FABULOUS ROLE
|
24
|
|
ABSOLUTELY FABULOUS CHARACTER
|
29
|
|
ABSOLUTELY FIRST-CLASS
|
22
|
|
ABSOLUTELY NOT, INFORMALLY
|
26
|
|
ABSORB THE INTEREST OF
|
22
|
|
ABSORBED EAGERLY, WITH 'IN'
|
27
|
|
ABSORBED RADIATION UNIT
|
23
|
|
ABSORB, AS BODY MOISTURE
|
24
|
|
ABSORBED, AS IN THOUGHT
|
23
|
|
ABSORBED OR CAPTIVATED
|
22
|
|
ABSORBS, AS BODY MOISTURE
|
25
|
|
ABS-STRENGTHENING EXERCISE
|
26
|
|
ABSORBS, AS WITH BREAD
|
22
|
|
ABSORBS GRAVY WITH BREAD
|
24
|
|
ABSTAIN FROM, WITH 'OUT'
|
24
|
|
ABSTAINING FROM ALCOHOL
|
23
|
|
ABSTAINERS FROM ALCOHOL
|
23
|
|
ABSTRACT ARTIST MILTON ___
|
26
|
|
ABSTRACT ARTIST ALBERS
|
22
|
|
ABSTINENCE FROM ALCOHOL
|
23
|
|
ABSTRACT ARTIST MONDRIAN
|
24
|
|
ABSTRACT EXPRESSIONIST LEE
|
26
|
|
ABSTRACT SCULPTOR SIR ANTHONY
|
29
|
|
ABSTRACT PAINTER ___ KRASNER
|
28
|
|
ABSTRACT SCULPTOR HENRY
|
23
|
|
ABSTRACT UNIT OF EXCHANGE
|
25
|
|
ABSURDIST ART MOVEMENT
|
22
|
|
ABUNDANTLY SUPPLIED (WITH)
|
26
|
|
ABUNDANTLY FILLED (WITH)
|
24
|
|
ACADEMIC ADMINISTRATORS
|
23
|
|
ACADEMIC DISSERTATIONS
|
22
|
|
ACADEMIC QUALIFICATION
|
22
|
|
ACADEMIC JOURNAL EDITION
|
24
|
|
ACADEMIC QUALIFICATIONS
|
23
|
|
ACADEMIC YEAR DIVISION
|
22
|
|
ACADEMY AWARD CATEGORY
|
22
|
|
ACADEMY AWARD STATUETTE
|
23
|
|
ACADEMY AWARD NOMINEES
|
22
|
|
ACADIA NATIONAL PARK STATE
|
26
|
|
ACADIA NATIONAL PARK LOCALE
|
27
|
|
ACADIA UNIVERSITY LOCATION
|
26
|
|
ACCELERATE, AS AN ENGINE
|
24
|
|
ACCELERATES, WITH 'UP'
|
22
|
|
ACCELERATES, AS A MOTOR
|
23
|
|
ACCELERATES, AS AN ENGINE
|
25
|
|
ACCEPT EAGERLY, WITH 'UP'
|
25
|
|
ACCEPT EAGERLY, WITH 'AT'
|
25
|
|
ACCEPT RESPONSIBILITY FOR
|
25
|
|
ACCEPT WITHOUT TESTIMONY
|
24
|
|
ACCEPT, AS CHARGE CARDS
|
23
|
|
ACCEPT WITHOUT OBJECTION
|
24
|
|
ACCEPT, AS A CREDIT CARD
|
24
|
|
ACCEPTABILITY ON THE STREET
|
27
|
|
ACCEPTANCE WITH APPROVAL
|
24
|
|
ACCEPTED AS INEVITABLE
|
22
|
|
ACCEPTED RESPONSIBILITY FOR
|
27
|
|
ACCEPTED AS BEING AUTHENTIC
|
27
|
|
ACCEPTED WITHOUT OBJECTION
|
26
|
|
ACCEPTED WITHOUT QUESTION
|
25
|
|
ACCEPTING OF A SITUATION
|
24
|