|
THE ___ DEGENERES SHOW
|
22
|
|
THE ___ FOUR (THE BEATLES)
|
26
|
|
THE ___ IS IN THE DETAILS
|
25
|
|
THE ___ IS YET TO COME
|
22
|
|
THE ___ KID ('50S WESTERN)
|
26
|
|
THE ___ KID (1950S WESTERN)
|
27
|
|
THE ___ MAN AND THE SEA
|
23
|
|
THE ___ MILLION DOLLAR MAN
|
26
|
|
THE ___ NOT TAKEN: FROST
|
24
|
|
THE ___ OF AMONTILLADO
|
22
|
|
THE ___ OF AVON (SHAKESPEARE)
|
29
|
|
THE ___ OF GOOD FEELINGS
|
24
|
|
THE ___ OF INNOCENCE (1993)
|
27
|
|
THE ___ OF KILIMANJARO
|
22
|
|
THE ___ OF LIVING DANGEROUSLY
|
29
|
|
THE ___ OF MONTE CRISTO
|
23
|
|
THE ___ OF ONE'S EXISTENCE
|
26
|
|
THE ___ OF SAN FRANCISCO
|
24
|
|
THE ___ OF THE APOSTLES
|
23
|
|
THE ___ OF THE BASKERVILLES
|
27
|
|
THE ___ OF THE CAVE BEAR
|
24
|
|
THE ___ OF THE MOHICANS
|
23
|
|
THE ___ OF THE RAINBOW
|
22
|
|
THE ___ OF THE SIERRA MADRE
|
27
|
|
THE ___ OF THE SPHERES
|
22
|
|
THE ___ PIPER OF HAMELIN
|
24
|
|
THE ___ SQUAD (TV DRAMA)
|
24
|
|
THE ___ STATE (NEW YORK)
|
24
|
|
THE ___ WHO CRIED WOLF
|
22
|
|
THE ___ WITH ARI MELBER
|
23
|
|
THEATER ANNOYANCE, PERHAPS
|
26
|
|
THEATER AWARD SINCE 1956
|
24
|
|
THEATER AWARDS SINCE 1956
|
25
|
|
THEATER CLASS ASSIGNMENT?
|
25
|
|
THEATER COMPANY, FOR SHORT
|
26
|
|
THEATER CURTAIN FABRIC
|
22
|
|
THEATER CURTAIN MATERIAL
|
24
|
|
THEATER GROUP, FOR SHORT
|
24
|
|
THEATER IN ANCIENT GREECE
|
25
|
|
THEATER PICKUPS, ON SIGNS
|
25
|
|
THEATER POPCORN CONTAINER
|
25
|
|
THEATER SEATING ARRANGEMENTS
|
28
|
|
THEATRE OF ANCIENT ROME
|
23
|
|
THEATRE OR CONCERT HALL
|
23
|
|
THEATRICAL ENTERTAINER
|
22
|
|
THEATRICAL ENTERTAINMENT
|
24
|
|
THEATRICAL ENTREPRENEUR
|
23
|
|
THEATRICAL PERFORMANCE
|
22
|
|
THEATRICAL PRESENTATION
|
23
|
|
THEATRICAL REPRESENTATION
|
25
|
|
THEATRICAL ROAD COMPANIES
|
25
|
|
THEDA WHO PLAYED CLEOPATRA
|
26
|
|
THEIR ACTIONS SPEAK FOR THEM
|
28
|
|
THEIR BUSINESS IS PICKING UP
|
28
|
|
THEIR CREATIONS MAY STING
|
25
|
|
THEIR DAYS ARE NUMBERED
|
23
|
|
THEIR EXISTENCE IS DEBATABLE
|
28
|
|
THEIR HAIR MAKES CASHMERE
|
25
|
|
THEIR SHELLS ARE EDIBLE
|
23
|
|
THEIR SUN GOD WAS INTI
|
22
|
|
THEIR ___ WERE WATCHING GOD
|
27
|
|
THELMA & LOUISE STAR DAVIS
|
26
|
|
THELMA PORTRAYER DAVIS
|
22
|
|
THEME OF 'OEDIPUS REX'
|
22
|
|
THEME OF A COMPOSITION
|
22
|
|
THEME PARK NEAR ORLANDO
|
23
|
|
THEME PARK TRANSPORTATION
|
25
|
|
THEME-PARK ATTRACTIONS
|
22
|
|
THEOLOGIAN KIERKEGAARD
|
22
|
|
THEORETICAL TRIAL, FOR SHORT
|
28
|
|
THERE ARE 12 IN A YEAR
|
22
|
|
THERE ARE FIVE GREAT ONES
|
25
|
|
THERE ARE FIVE IN A SHILLING
|
28
|
|
THERE ARE SIX IN AN INNING
|
26
|
|
THERE IS NO PLACE LIKE IT
|
25
|
|
THERE IS NOTHIN' LIKE A __
|
26
|
|
THERE MAY BE A CATCH IN IT
|
26
|
|
THERE'S NO ACCOUNTING FOR ___
|
29
|
|
THERE'S NO PLACE LIKE IT
|
24
|
|
THERE'S NOTHING LIKE IT
|
23
|
|
THERE'S ONE IN THIS CLEU
|
24
|
|
THEREFORE OR CONSEQUENTLY
|
25
|
|
THEREFORE, TO A LOGICIAN
|
24
|
|
THESAURUS ENTRIES (ABBR.)
|
25
|
|
THESAURUS LISTINGS (ABBR.)
|
26
|
|
THESE ARE ___ TIMES ...
|
23
|
|
THESE CANNOT BE DISPUTED
|
24
|
|
THESE HAVE MANY EXTRAS
|
22
|
|
THESE WINGS DON'T FLAP
|
22
|
|
THESE ___ THE TIMES THAT ...
|
28
|
|
THEY ARE EASILY BRUISED
|
23
|
|
THEY ARE HARD TO RESIST
|
23
|
|
THEY ARE NOT FREE OF CHARGE
|
27
|
|
THEY ARE OFTEN CHECKED
|
22
|
|
THEY ARE OFTEN GRAIN-FED
|
24
|
|
THEY ARE SOMETIMES INFLATED
|
27
|
|
THEY BLOW WITH THE WIND
|
23
|
|
THEY BRING HOME THE BACON
|
25
|
|
THEY CALLED SCOTLAND 'ALBA'
|
27
|
|
THEY CAN ALWAYS BE COUNTED ON
|
29
|