|
EMITTED COHERENT LIGHT
|
22
|
|
EMITTED COHERENT RADIATION
|
26
|
|
EMITTED LONG, LOUD CRIES
|
24
|
|
EMMA OF 'THE AVENGERS'
|
22
|
|
EMMA OF 'THE FAVOURITE'
|
23
|
|
EMMY AWARD-WINNING WARD
|
23
|
|
EMMY WINNER CARL OR ROB
|
23
|
|
EMMY WINNER FOR 'ROOTS'
|
23
|
|
EMMY WINNER____ DELANY
|
22
|
|
EMMY-WINNER ACTRESS PAULSON
|
27
|
|
EMMY-WINNING CHRISTINE
|
22
|
|
EMMY-WINNING SCIENTIST
|
22
|
|
EMMY-WINNING SCIENTIST BILL
|
27
|
|
EMOTION THAT MAY BE MANAGED
|
27
|
|
EMOTIONAL OUTBURST AS OF RAGE
|
29
|
|
EMOTIONAL TRAUMA CONSEQUENCE
|
28
|
|
EMOTIONALLY BURNED OUT
|
22
|
|
EMOTIONALLY UNAFFECTED
|
22
|
|
EMOTIONALLY UNAVAILABLE TYPE
|
28
|
|
EMOTIONLESS HUMOR TYPE
|
22
|
|
EMOTIONLESS, AS A LOOK
|
22
|
|
EMPANADAS AND PATATAS BRAVAS
|
28
|
|
EMPEROR BEFORE HADRIAN
|
22
|
|
EMPEROR IN 'QUO VADIS?'
|
23
|
|
EMPEROR WHO PLAYED THE FIDDLE
|
29
|
|
EMPHASIS ON A SYLLABLE
|
22
|
|
EMPHATIC 'YES' FOLLOWER
|
23
|
|
EMPIRE BUILDERS OF OLD
|
22
|
|
EMPIRE STATE BUILDING PEAK
|
26
|
|
EMPIRE STATE BUILDING STYLE
|
27
|
|
EMPIRE STATE BUILDING TOPPER
|
28
|
|
EMPLOY, AS 'THE FORCE'
|
22
|
|
EMPLOYEE BENEFIT OPTION
|
23
|
|
EMPLOYEE TAKING NOTES?
|
22
|
|
EMPLOYEE WITH A FLASHLIGHT
|
26
|
|
EMPLOYMENT OPPORTUNITY
|
22
|
|
EMPTY CONTAINER WEIGHT
|
22
|
|
EMPTY INSIDE, AS A TREE
|
23
|
|
EMPTY, AS A FOUNTAIN PEN
|
24
|
|
EMPTY, AS AN APARTMENT
|
22
|
|
EMULATE A SNAKE IN THE GRASS
|
28
|
|
EMULATE ELLA FITZGERALD
|
23
|
|
EMULATE ROMEO AND JULIET
|
24
|
|
EMULATE RUNNING MATES?
|
22
|
|
EMULATE THE BIG BAD WOLF
|
24
|
|
EMULATE THE CHESHIRE CAT
|
24
|
|
EMULATE THE GREGORIANS
|
22
|
|
EMULATE THE PIED PIPER
|
22
|
|
EMULATE WASHINGTON OR FORD
|
26
|
|
EMULATED A HUMMINGBIRD
|
22
|
|
EMULATED A SMOKE DETECTOR
|
25
|
|
EMULATED A TRENCHERMAN
|
22
|
|
EMULATED AN ALPHA FEMALE
|
24
|
|
EMULATED GREG LOUGANIS
|
22
|
|
EMULATED MOVIE MONSTERS
|
23
|
|
EMULATED RUNNING MATES?
|
23
|
|
EMULATES A CHIPMUNK, SAY
|
24
|
|
EMULATES A HUNGRY BABY
|
22
|
|
EMULATES AN INTERVIEWER
|
23
|
|
EMULATES CHICKEN LITTLE
|
23
|
|
EMULATES DANIEL WEBSTER
|
23
|
|
EMULATES QUAN HONGCHAN
|
22
|
|
EMULATES ROMEO AND JULIET
|
25
|
|
EMULATES THE PISA TOWER
|
23
|
|
EN ___ (AS A BIG GROUP)
|
23
|
|
EN ___ (AS A LARGE GROUP)
|
25
|
|
EN ___ (IN FULL COURT)
|
22
|
|
ENACTMENT, AS OF A LAW
|
22
|
|
ENCHANTED APRIL SETTING
|
23
|
|
ENCHANTED GIRL IN A 2004 FILM
|
29
|
|
ENCHANTED PRINCE, PERHAPS
|
25
|
|
ENCHANTRESS IN GREEK MYTH
|
25
|
|
ENCIRCLED AND ATTACKED
|
22
|
|
ENCIRCLING RING OF LIGHT
|
24
|
|
ENCLOSED AREA BY BUILDING
|
25
|
|
ENCLOSED AREA IN A BUILDING
|
27
|
|
ENCLOSED AREA; CHEMICAL
|
23
|
|
ENCLOSED AREAS OF WATER
|
23
|
|
ENCLOSED KITCHEN FIREPLACE
|
26
|
|
ENCLOSED PART OF A BLIMP
|
24
|
|
ENCLOSED WITH THIS ENVELOPE
|
27
|
|
ENCLOSED, AS AN ESTATE
|
22
|
|
ENCLOSED, IN LEGAL-SPEAK
|
24
|
|
ENCLOSURE FOR A PET BIRD
|
24
|
|
ENCLOSURE FOR CHICKENS
|
22
|
|
ENCLOSURE FOR PIGGIES?
|
22
|
|
ENCLOSURE ON MOUNT EVEREST
|
26
|
|
ENCOUNTER, AS HARD TIMES
|
24
|
|
ENCOURAGE THE DEVELOPMENT OF
|
28
|
|
ENCOURAGE WITH SWEET TALK
|
25
|
|
ENCOURAGE, MAKE CHEERFUL
|
24
|
|
ENCOURAGEMENT FOR A MATADOR
|
27
|
|
ENCOURAGEMENT FOR MANOLETE
|
26
|
|
ENCOURAGEMENT FOR THE MATADOR
|
29
|
|
ENCOURAGEMENT TO A MATADOR
|
26
|
|
ENCROACHMENT OR INTRUSION
|
25
|
|
ENCRYPTED, AS A MESSAGE
|
23
|
|
END FOR SOFT OR SILVER
|
22
|
|
END OF A BRITISH QUEUE?
|
23
|
|
END OF A CAESAREAN BOAST
|
24
|