|
MOVE IN A PREDATORY MANNER
|
26
|
|
MOVE IN A WAVELIKE MOTION
|
25
|
|
MOVE IN A STEALTHY MANNER
|
25
|
|
MOVE IN AN AIMLESS MANNER
|
25
|
|
MOVE IN A SPIRAL PATTERN
|
24
|
|
MOVE IN A SPIRAL MANNER
|
23
|
|
MOVE IN THE RIGHT DIRECTION?
|
28
|
|
MOVE LIGHTLY AND RAPIDLY
|
24
|
|
MOVE LIGHTLY AND SWIFTLY
|
24
|
|
MOVE LIKE A HULA DANCER
|
23
|
|
MOVE LIKE A CHILD IN A TUTU
|
27
|
|
MOVE LIKE A HUMMINGBIRD
|
23
|
|
MOVE LIKE A STARTLED CHIPMUNK
|
29
|
|
MOVE LIKE HUMMINGBIRDS
|
22
|
|
MOVE ON A COMPUTER SCREEN
|
25
|
|
MOVE ON HANDS AND KNEES
|
23
|
|
MOVE ON THE SURFACE OF WATER
|
28
|
|
MOVE QUICKLY AND LIGHTLY
|
24
|
|
MOVE QUICKLY, AS A CLOUD
|
24
|
|
MOVE QUICKLY AND SUDDENLY
|
25
|
|
MOVE QUICKLY, INFORMALLY
|
24
|
|
MOVE QUICKLY, AS CLOUDS
|
23
|
|
MOVE RAPIDLY IN A CIRCLE
|
24
|
|
MOVE RAPIDLY DOWNWARDS
|
22
|
|
MOVE SKILFULLY OR CAREFULLY
|
27
|
|
MOVE SLOWLY AND CAUTIOUSLY
|
26
|
|
MOVE SMOOTHLY ALONG A SURFACE
|
29
|
|
MOVE SLOWLY DOWN THE RUNWAY
|
27
|
|
MOVE SUDDENLY AND RAPIDLY
|
25
|
|
MOVE STEALTHILY, IN A WAY
|
25
|
|
MOVE TO A LOWER DIVISION
|
24
|
|
MOVE TO ANOTHER COUNTRY
|
23
|
|
MOVE TO ANOTHER LOCATION
|
24
|
|
MOVE TO GAIN A TACTICAL END
|
27
|
|
MOVE TO ANOTHER TRAIN TRACK
|
27
|
|
MOVE TO PROTECT A KING
|
22
|
|
MOVE TOWARD THE MIDDLE
|
22
|
|
MOVE UP AND DOWN REPEATEDLY
|
27
|
|
MOVE WITH A SPLASHING SOUND
|
27
|
|
MOVE WITH A RUSHING SOUND
|
25
|
|
MOVE WITH LONG STRIDES
|
22
|
|
MOVE WITH SUDDEN SPEED
|
22
|
|
MOVE WITH LEGS SPREAD OUT
|
25
|
|
MOVE, IN REAL ESTATE JARGON
|
27
|
|
MOVE, IN REAL ESTATE LINGO
|
26
|
|
MOVE, IN REALTOR JARGON
|
23
|
|
MOVE, IN REAL ESTATE SLANG
|
26
|
|
MOVE, IN REALTOR-SPEAK
|
22
|
|
MOVE, IN REALTOR SLANG
|
22
|
|
MOVE, IN REALTOR LINGO
|
22
|
|
MOVED AWAY FROM THE STERN?
|
26
|
|
MOVED BETWEEN BANKS, MAYBE
|
26
|
|
MOVED AWAY FROM THE ISS
|
23
|
|
MOVED LIKE A HUMMINGBIRD
|
24
|
|
MOVED IN A CIRCULAR PATH
|
24
|
|
MOVED IN A CURVED PATH
|
22
|
|
MOVED IN LARGE NUMBERS
|
22
|
|
MOVED LIKE WAVES OR MUSCLES
|
27
|
|
MOVED LIKE SOME REPTILES
|
24
|
|
MOVED ON HANDS AND KNEES
|
24
|
|
MOVED SLOWLY AND HEAVILY
|
24
|
|
MOVED TO A QUIETER TABLE, SAY
|
29
|
|
MOVED SWIFTLY AND SUDDENLY
|
26
|
|
MOVED TO A NEW COUNTRY
|
22
|
|
MOVEMENT AROUND AN AXIS
|
23
|
|
MOVEMENT-SENSING GAME CONSOLE
|
29
|
|
MOVEMENT IN 'THE NUTCRACKER'
|
28
|
|
MOVEMENT FROM PLACE TO PLACE
|
28
|
|
MOVEMENT UNDER STIMULUS
|
23
|
|
MOVERS BUT NOT SHAKERS
|
22
|
|
MOVES AIMLESSLY, WITH 'ABOUT'
|
29
|
|
MOVES AT A SNAIL'S PACE
|
23
|
|
MOVES AROUND AIMLESSLY
|
22
|
|
MOVES BACK, AS A HAIRLINE
|
25
|
|
MOVES FROM SIDE TO SIDE
|
23
|
|
MOVES IN A STEALTHY MANNER
|
26
|
|
MOVES IN A PREDATORY MANNER
|
27
|
|
MOVES IN LARGE NUMBERS
|
22
|
|
MOVES LIKE A BUTTERFLY
|
22
|
|
MOVES ON A COMPUTER SCREEN
|
26
|
|
MOVES LIKE THE ROAD RUNNER
|
26
|
|
MOVES ON HANDS AND KNEES
|
24
|
|
MOVES QUICKLY, AS A CLOUD
|
25
|
|
MOVES QUICKLY AND LIGHTLY
|
25
|
|
MOVES QUICKLY, INFORMALLY
|
25
|
|
MOVES SLOWLY AND CAREFULLY
|
26
|
|
MOVES TO A SIDING, E.G.
|
23
|
|
MOVES WITH BOUNDING STEPS
|
25
|
|
MOVES UP THE CORPORATE LADDER
|
29
|
|
MOVES WITH LONG STRIDES
|
23
|
|
MOVIE CREDITS, USUALLY
|
22
|
|
MOVIE CRITICS, SOMETIMES
|
24
|
|
MOVIE GUEST SPOT, BRIEF
|
23
|
|
MOVIE INDUSTRY PUBLICATION
|
26
|
|
MOVIE LISTING LISTINGS
|
22
|
|
MOVIE OF SOMEONE'S LIFE
|
23
|
|
MOVIE PRODUCER DE LAURENTIIS
|
28
|
|
MOVIE STUDIO DEPARTMENT
|
23
|
|
MOVIE THEATER PURCHASE
|
22
|
|
MOVIE TRAILER SEGMENTS
|
22
|