|
IMPROBABLE, AS A STORY
|
22
|
|
IMPROPER PROFESSIONAL CONDUCT
|
29
|
|
IMPROPER, AS INFLUENCE
|
22
|
|
IMPROVE FOR PUBLICATION
|
23
|
|
IMPROVE THE QUALITY OF
|
22
|
|
IMPROVE THROUGH PRACTICE
|
24
|
|
IMPROVE, AS A MANUSCRIPT
|
24
|
|
IMPROVE, IN THE WINE CELLAR
|
27
|
|
IMPROVE, AS ONE'S SKILLS
|
24
|
|
IMPROVEMENT IN RELATIONS
|
24
|
|
IMPROVED IN A WINE CELLAR
|
25
|
|
IMPROVED, AS MUSCULATURE
|
24
|
|
IMPROVES IN THE WINE CELLAR
|
27
|
|
IMPROVISATIONAL COMPOSITION
|
27
|
|
IMPROVES IN A WINE CELLAR
|
25
|
|
IMPROVISATIONAL MUSIC STYLE
|
27
|
|
IMPROVISATORY COMPOSITION
|
25
|
|
IMPROVISE AS A VOCALIST
|
23
|
|
IMPROVISE AT THE JAZZ CLUB
|
26
|
|
IMPROVISE, TO A MUSICIAN
|
24
|
|
IMPROVISED JAZZ SINGING
|
23
|
|
IMPROVISED MUSICAL PASSAGE
|
26
|
|
IMPROVISES NONSENSE SYLLABLES
|
29
|
|
IMPULSE-CONDUCTING CELL
|
23
|
|
IMPULSE-TRANSMITTING CELL
|
25
|
|
IMPUTATION OF WRONGDOING
|
24
|
|
IN __ OF: SUBSTITUTED FOR
|
25
|
|
IN ___ (ACTUALLY EXISTING)
|
26
|
|
IN __: AS ORIGINALLY PLACED
|
27
|
|
IN ___ (BEHIND IN REPAYMENT)
|
28
|
|
IN ___ (AS FIRST PLACED)
|
24
|
|
IN ___ (INTERMITTENTLY)
|
23
|
|
IN ___ (OCCURRING NATURALLY)
|
28
|
|
IN ___ (IN ACTUAL BEING)
|
24
|
|
IN ___ (ORIGINAL PLACE)
|
23
|
|
IN ___ (ON THE SAME PAGE)
|
25
|
|
IN ___ (INTRINSICALLY)
|
22
|
|
IN ___ (RUNNING SMOOTHLY)
|
25
|
|
IN ___ (PRIOR TO BIRTH)
|
23
|
|
IN ___ (WORKING IN HARMONY)
|
27
|
|
IN ___ (SIMULTANEOUSLY)
|
23
|
|
IN ___ (REALLY EXISTING)
|
24
|
|
IN ___ OF (ALTERNATIVELY)
|
25
|
|
IN ___ OF (INSTEAD OF)
|
22
|
|
IN ___ OF (NOTWITHSTANDING)
|
27
|
|
IN ___ OF (STANDING IN FOR)
|
27
|
|
IN ___ OF (SUBSTITUTING FOR)
|
28
|
|
IN ___ OF (IN PLACE OF)
|
23
|
|
IN ___ TIME (THESE DAYS)
|
24
|
|
IN ___ STRAITS (DESPERATE)
|
26
|
|
IN A BIG AND IMPRESSIVE WAY
|
27
|
|
IN A BIT, TO SHAKESPEARE
|
24
|
|
IN A CALCULATING MANNER
|
23
|
|
IN A COMFORTABLE POSITION
|
25
|
|
IN A CLASS OF ONE'S OWN
|
23
|
|
IN A COMPOUND, SMALL TREE
|
25
|
|
IN A CONCENTRATED MANNER
|
24
|
|
IN A DENSELY POPULATED AREA
|
27
|
|
IN A DIFFICULT POSITION
|
23
|
|
IN A DETERMINED MANNER
|
22
|
|
IN A DISCOURTEOUS FASHION
|
25
|
|
IN A DOMINANT POSITION
|
22
|
|
IN A HARMONIOUS MANNER
|
22
|
|
IN A HORIZONTAL POSITION
|
24
|
|
IN A HASTY, HAPHAZARD MANNER
|
28
|
|
IN A LATHER (WITH 'UP')
|
23
|
|
IN A LEVEL AND REGULAR WAY
|
26
|
|
IN A MOCKINGLY HUMOROUS WAY
|
27
|
|
IN A PICKLE OR IN A JAM
|
23
|
|
IN A PROFICIENT MANNER
|
22
|
|
IN A PRETENTIOUS MANNER
|
23
|
|
IN A PURPOSELESS MANNER
|
23
|
|
IN A PROTECTIVE CONTAINER
|
25
|
|
IN A REASONABLE MANNER
|
22
|
|
IN A RUSH TO CHARGE QUEEN
|
25
|
|
IN A SHELTERED POSITION
|
23
|
|
IN A SLOW TEMPO, MUSICALLY
|
26
|
|
IN A SLICK-TALKING MANNER
|
25
|
|
IN A STATE OF AMAZEMENT
|
23
|
|
IN A STATE OF ENTANGLEMENT
|
26
|
|
IN A STANDOFFISH MANNER
|
23
|
|
IN A STATE OF WILD EXCITEMENT
|
29
|
|
IN A STATE OF EXCITEMENT
|
24
|
|
IN A SUPERIOR POSITION TO
|
25
|
|
IN A VERTICAL POSITION
|
22
|
|
IN A VERTICAL LINE, AT SEA
|
26
|
|
IN A WILD AND CRAZY FASHION
|
27
|
|
IN ADDITION, WITH 'WITH'
|
24
|
|
IN ADVANCE OF, POETICALLY
|
25
|
|
IN ADVANCE OF, IN VERSE
|
23
|
|
'IN AMERICA' WRITER SUSAN
|
25
|
|
IN AN AFFECTIONATE WAY
|
22
|
|
IN AN AGREEABLE MANNER
|
22
|
|
IN AN APPROPRIATE MANNER
|
24
|
|
IN AN ATTENTIVE FASHION
|
23
|
|
IN AN ENTHUSIASTIC WAY
|
22
|
|
IN AN EMOTIONLESS MANNER
|
24
|
|
IN AN EQUITABLE MANNER
|
22
|
|
IN AN EXTREMELY LARGE MANNER
|
28
|
|
IN AN IMPOSSIBLE SITUATION
|
26
|