|
FIGURES AT A RACETRACK
|
22
|
|
FIGURES IN NORSE MYTHOLOGY
|
26
|
|
FIGURES IN SPORTS BETTING
|
25
|
|
FIGURES IN THE BALLPARK
|
23
|
|
FIGURES IN THE SISTINE CHAPEL
|
29
|
|
FIGURES ON A SPREADSHEET
|
24
|
|
FIGURES ON FLOOR PLANS
|
22
|
|
FIGURES ON WINE BOTTLES
|
23
|
|
FIGURES TO BE CRUNCHED
|
22
|
|
FILE EXTENSION PROGRAM
|
22
|
|
FILE MANAGER MENU OPTION
|
24
|
|
FILE SIZE UNIT, INFORMALLY
|
26
|
|
FILE SIZE UNITS, INFORMALLY
|
27
|
|
FILE-FOLDER ATTACHMENTS
|
23
|
|
FILE-FOLDER PROJECTION
|
22
|
|
FILL A SPACE, IN A WAY
|
22
|
|
FILL BY PACKING TIGHTLY
|
23
|
|
FILL THE TANK, WITH 'UP'
|
24
|
|
FILL TO THE BURSTING POINT
|
26
|
|
FILL UP, AS AN INVENTORY
|
24
|
|
FILL WITH ANXIETY OR DREAD
|
26
|
|
FILL WITH APPREHENSION
|
22
|
|
FILL WITH CONSTERNATION
|
23
|
|
FILL WITH HIGH SPIRITS
|
22
|
|
FILL WITH INTENSE DELIGHT
|
25
|
|
FILL-IN-THE-BLANK STORY
|
23
|
|
FILLED AGAIN, AS A FLAT
|
23
|
|
FILLED PASTRY OF INDIA
|
22
|
|
FILLED TO SATISFACTION
|
22
|
|
FILLED WITH DANDELIONS
|
22
|
|
FILLED WITH ENTHUSIASM
|
22
|
|
FILLED WITH EXCITEMENT
|
22
|
|
FILLED WITH RESENTMENT
|
22
|
|
FILLED WITH SELF-DOUBT
|
22
|
|
FILLED WITH SELF-IMPORTANCE
|
27
|
|
FILLED-AND-FOLDED TORTILLA
|
26
|
|
FILLING AND SATISFYING
|
22
|
|
FILLING STATION FILLER
|
22
|
|
FILLS WITH HIGH SPIRITS
|
23
|
|
FILM (1992), ACTOR (1958)
|
25
|
|
FILM ABOUT FEMALE AMPHIBIAN
|
27
|
|
FILM BASED ON A LIFE STORY
|
26
|
|
FILM CAMERA OR PROJECTOR
|
24
|
|
FILM CAUSED BY OXIDATION
|
24
|
|
FILM COMPOSER MORRICONE
|
23
|
|
FILM COMPOSER SCHIFRIN
|
22
|
|
FILM DEVICE, FOR SHORT
|
22
|
|
FILM DIRECTOR ANDERSON
|
22
|
|
FILM DIRECTOR KOTCHEFF
|
22
|
|
FILM DIRECTOR VAN SANT
|
22
|
|
FILM DIRECTOR ___ VON TRIER
|
27
|
|
FILM DUBBING TECHNIQUE
|
22
|
|
FILM EDITING TECHNIQUE
|
22
|
|
FILM EDITING TRANSITION
|
23
|
|
FILM FESTIVAL FILM, OFTEN
|
25
|
|
FILM GUEST SPOT, BRIEF
|
22
|
|
FILM KUROSAWA DIRECTOR
|
22
|
|
FILM MADE FOR TELEVISION
|
24
|
|
FILM MAKER JOEL OR ETHAN
|
24
|
|
FILM MANY DESPICABLE FOLK
|
25
|
|
FILM NOT FROM A MAJOR STUDIO
|
28
|
|
FILM ON ANTIQUE BRONZE
|
22
|
|
FILM PRODUCER DE LAURENTIIS
|
27
|
|
FILM STUDIO DEPARTMENT
|
22
|
|
FILM STUDIO, FOR SHORT
|
22
|
|
FILM THAT RATES NO STARS
|
24
|
|
FILM THAT WON NINE OSCARS
|
25
|
|
FILM THAT'S BARELY SHOWN?
|
25
|
|
FILM WITH A CAST OF THOUSANDS
|
29
|
|
FILM WITH A SMALL BUDGET
|
24
|
|
FILM WITH A SOUND TRACK
|
23
|
|
FILM WITH DANCING HIPPOS
|
24
|
|
FILM ___ (BLEAK GENRE)
|
22
|
|
FILM ___ (DARK MOVIE GENRE)
|
27
|
|
FILM ___ (MOODY GENRE)
|
22
|
|
FILM ___ (MOVIE GENRE)
|
22
|
|
FILM ___ (SHADOWY GENRE)
|
24
|
|
FILMDOM'S SWEENEY TODD
|
22
|
|
FILMED, IN HOLLYWOOD SLANG
|
26
|
|
FILMING DEVICE, FOR SHORT
|
25
|
|
FILMING DEVICE, INFORMALLY
|
26
|
|
FILMMAKER JEAN-LUC ___
|
22
|
|
FILMMAKER JEAN-___ GODARD
|
25
|
|
FILMMAKER JOEL OR ETHAN
|
23
|
|
FILMMAKER VON STROHEIM
|
22
|
|
FILMMAKER ___ C. KENTON
|
23
|
|
FILMMAKERS JOEL AND ETHAN
|
25
|
|
FILMS ON A GRAND SCALE
|
22
|
|
FILMS PARTLY MADE IN STAGES
|
27
|
|
FILMS WITH CASTS OF THOUSANDS
|
29
|
|
FILTER FEEDER'S FODDER
|
22
|
|
FILTERS THROUGH A STRAINER
|
26
|
|
FINAL FOUR GAME, INFORMALLY
|
27
|
|
FINAL FRAME IN BOWLING
|
22
|
|
FINAL MUSICAL PASSAGES
|
22
|
|
FINAL OLDSMOBILE MODEL
|
22
|
|
FINAL OR FORMAL PREFIX
|
22
|
|
FINAL STAGE OF A CHESS MATCH
|
28
|
|
FINAL STANZA IN A POEM
|
22
|
|
FINAL SYLLABLE OF A WORD
|
24
|